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Jung Joon Lee is a specialist in histories and theories of photography. Lee’s research and teaching interests span the intersections of art and politics, transoceanic intimacies and decoloniality, and gender and sexuality. In addition to her forthcoming book on Korean photography, Lee is currently working on two book projects: a monograph exploring exhibitions as a space of minoritarian aesthetics, kinshipmaking, and historical rupture; and the co-edited volume, Queer Feminist Elsewhere: Decolonial Making in Trans-Pacific Art. Lee’s articles on photography have appeared in such journals as History of Photography, Trans Asia Photography, PhotoResearcher, and photographies.

Exploring what it means to practice photography in the normalized conditions of militarism, Jung Joon Lee’s forthcoming book Shooting for Change: Korean Photography after the War (Duke University Press) treats the transnational militarism of Korea not as a unique subject of Korean photography but a lens through which we may probe the officially and culturally sanctioned readings of images when returning to them at different times. In this talk, Lee considers the temporality and performance of repetition/reverberation as a key onto-epistemic framework in visualizing the space of transnational militarism - namely, the DMZ and U.S. military camptowns in South Korea.

• Date: October 6, 2022
• Time: 10:30-12:30
• Venue: online seminar (https://zoom.us/j/6915820895  ID: 691 582 0895 )
• Hosted by: Critical Global Studies Institute